Liz Rhodes was one of the key figures to emerge from the London Film-Makers’ Co-operative in the 1970s, where she and her contemporaries helped advance a radically reflexive approach to film aesthetics, investigating the medium and its mechanics in fundamentally material terms.
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This film is the result of experiments with the application of Letraset and Letratone onto clear film. It is essentially about how graphic images create their own sound by extending into that area of film which is 'read' by optical sound equipment. The final print has been achieved through three, seperate, consecutive printings from the original material, on a contact printer. Colour was added, with filters, on the final run. The film is not a sequential piece. It does not develop crescendos. It creates the illusion of spatial depth from essentially, flat, graphic, raw material.
-- Tim Bruce, London Filmmakers Co-op Catalogue 1993
